As an electronic music designer for Broadway productions, I’ve negotiated and papered many contracts both with and without the assistance of an attorney. Regardless of whether one uses legal representation and regardless of the size and budget of the production, the guiding principles of what should be involved in the agreement are generally the same. In this post, we’ll take a look at those elements so that you can implement them into your next negotiations.
First of all, this post is in no way meant to constitute legal advice. I’m only sharing information based on my experience.
Now on to the elements of the contract…Continue reading A Guide to Negotiating Your Synth Programming Contract